I grew up in the 90s, which meant I loved playing with my Pogs, Playmobil and Tamagotchis while watching The Little Mermaid and Beauty and the Beast on repeat. I’ve had every word to every song memorized from both of those movies for as long as I can remember, and Ariel and Belle were far and away my favourite Disney princesses. What I didn’t know until years later was the tragic story about the man who wrote the lyrics that were the soundtrack to my childhood.
To say Howard Ashman was a master lyricist would be an understatement. Ashman and writing partner Alan Menken were responsible for expertly weaving song into narratives that would appeal to nearly all audiences. They won Oscars for such classics as “Beauty and the Beast (Tale as Old as Time)” and “Under the Sea”, they wrote the seven-minute camptastic opening number “Bonjour” to set up the universe of Beauty and the Beast, and they coached singers such as Paige O’Hara (Belle) and Jodi Benson (Ariel) to sound earnest and soulful, bringing life and complexity to their cartoon counterparts. Angela Lansbury recorded that version of “Beauty and the Beast” IN ONE TAKE. Ashman coached her through it.
Ashman was also a reprise genius. Everyone remembers those Ariel-on-the-rock and Belle-picking-dandelions moments. In both scenes the leading ladies reprise an earlier song to belt out what they want – what they so badly want – to express dissatisfaction with their circumstances. So. Much. Love. Continue reading →



















